Andrew Marvell. 1621-1678
355. An Horatian Ode upon Cromwell's Return from Ireland
2 mins to read
657 words

THE forward youth that would appear Must now forsake his Muses dear,    Nor in the shadows sing    His numbers languishing.

'Tis time to leave the books in dust, And oil the unused armour's rust,     Removing from the wall     The corslet of the hall.

So restless Cromwell could not cease In the inglorious arts of peace,     But through adventurous war     Urged his active star:

And like the three-fork'd lightning, first Breaking the clouds where it was nurst,     Did thorough his own side     His fiery way divide:

For 'tis all one to courage high, The emulous, or enemy;     And with such, to enclose     Is more than to oppose.

Then burning through the air he went And palaces and temples rent;     And Caesar's head at last     Did through his laurels blast.

'Tis madness to resist or blame The face of angry Heaven's flame;     And if we would speak true,     Much to the man is due,

Who, from his private gardens, where He lived reserved and austere     (As if his highest plot     To plant the bergamot),

Could by industrious valour climb To ruin the great work of time,     And cast the Kingdoms old     Into another mould;

Though Justice against Fate complain, And plead the ancient rights in vain—     But those do hold or break     As men are strong or weak—

Nature, that hateth emptiness, Allows of penetration less,     And therefore must make room     Where greater spirits come.

What field of all the civil war Where his were not the deepest scar?     And Hampton shows what part     He had of wiser art;

Where, twining subtle fears with hope, He wove a net of such a scope     That Charles himself might chase     To Caresbrooke's narrow case;

That thence the Royal actor borne The tragic scaffold might adorn:     While round the armed bands     Did clap their bloody hands.

He nothing common did or mean Upon that memorable scene,     But with his keener eye     The axe's edge did try;

Nor call'd the gods, with vulgar spite, To vindicate his helpless right;     But bow'd his comely head     Down, as upon a bed.

This was that memorable hour Which first assured the forced power:     So when they did design     The Capitol's first line,

A Bleeding Head, where they begun, Did fright the architects to run;     And yet in that the State     Foresaw its happy fate!

And now the Irish are ashamed To see themselves in one year tamed:     So much one man can do     That does both act and know.

They can affirm his praises best, And have, though overcome, confest     How good he is, how just     And fit for highest trust.

Nor yet grown stiffer with command, But still in the republic's hand—     How fit he is to sway     That can so well obey!

He to the Commons' feet presents A Kingdom for his first year's rents,     And, what he may, forbears     His fame, to make it theirs:

And has his sword and spoils ungirt To lay them at the public's skirt.     So when the falcon high     Falls heavy from the sky,

She, having kill'd, no more doth search But on the next green bough to perch;     Where, when he first does lure,     The falconer has her sure.

What may not then our Isle presume While victory his crest does plume?     What may not others fear,     If thus he crowns each year?

As Caesar he, ere long, to Gaul, To Italy an Hannibal,     And to all States not free     Shall climacteric be.

The Pict no shelter now shall find Within his particolour'd mind,     But, from this valour, sad     Shrink underneath the plaid;

Happy, if in the tufted brake The English hunter him mistake,     Nor lay his hounds in near     The Caledonian deer.

But thou, the war's and fortune's son, March indefatigably on;     And for the last effect,     Still keep the sword erect:

Besides the force it has to fright The spirits of the shady night,     The same arts that did gain     A power, must it maintain.

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Andrew Marvell. 1621-1678
356. A Garden Written after the Civil Wars
1 min to read
163 words
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